Os recomiendo que no hagáis antes huecos de ventanas y puertas, podéis equivocaros en las medidas, y en cosas tan pequeñitas ya se sabe... tres milímetros es el mundo... Una vez que tengáis el papel aplicado y seco, con un cutter podéis pasar al corte de los huecos.
Otro día hablaremos de suelos y techos... sinceramente son más sencillos...
Espero que os divirtáis...
For those of you curious:
http://www.juntadeandalucia.es/averroes/vertie/motivadores/histopan.htm
http://www.infopan.es/
As there, I tried to reflect a little more of our reality in one of my scenes, there you have a basket of "real" bread, or noooo??
Wikipedia.es image obtained
This is a Victorian mahogany cradle of the nineteenth century, we see the swing we mentioned in the introduction, and "turned balusters, built to prevent falls.
Now I present a birthplace of the late nineteenth and early twentieth centuries, wood painted white and pink with a simple decoration, includes details of the delicate "blanket" in pink and blue.
And here's a modern cradle of the twentieth century. The sides have singles bars and legs and do not end with a "swing" become "legs" fixed, but today most of the cradles carry wheels to facilitate mobility.
In this tutorial I give you several rosettes that once got from an Italian site that is devoted to the floors of our homes (those of 100 m2, course), and these models were samples of work done.
As the area of \u200b\u200b"high" on the dresser was made, we see a portrait of the owner of the house, the dining table, round, foot work is classical in style, giving the note color the two chairs upholstered in hot pink damask. I have not included carpet in order not to obscure the beautiful marquetry detail located in the middle of the living room floor.
Once we set the text we have to cut, in my case it was 180 pages one by one, no less ...
reinforced the inside of the lids and lined ... not forget that it is very important that the work fits in to reality ...
Glue the backs of the pages along with the caps and let dry few hours.
As you can see the result is great, there you have original and miniature. I'm working on the "Breviary of Isabella the Catholic, I have it ready when you show it.
"latrines" in Ostia Antica Roman public.
But with the fall of the Empire many of the Roman engineering advances largely lost: the Europeans would return to the primitive latrines, and sewer concept would be lost in oblivion for centuries. The problem, moreover, be exacerbated by advancing the Middle Ages by the increase in population. In the villages, the houses used to have a latrine in a booth near the main building, but what in cities? They used to make their needs earthenware or metal containers, and then throw them out the window to the street.
Sir John Harrington
solution gave Alexander Cummings, a watchmaker in London in 1775 with his patent 814: the trap. The system is simple but effective, and is, as you probably know, in an S-shaped pipe As water passes through the trap, the bottom of the S is always with some water, which acts as a seal on the rest of the pipeline (connecting, sooner or later, with the sewer). Thus, the gases that may have "the other side "can not leave, and you can install all the invention in the home. Hence the name of WC: from Cummings, the smell would be an insoluble problem .
would be years until the general public to enjoy the toilets: the first were installed in public places as the Crystal Palace in Hyde Park, London. Londoners, impressed, came to use this wonderful invention to the palace. There, dressed in white officials received them and charged a penny it cost to sit in one. In fact, in London extended the expression "I spend a penny " to refer to what you're imagining.
The Crystal Palace in 1851.
Most toilets are pedestal, consisting of a seat fixed to the ground by bolts or other removable parts, have a low tank, located behind the seat with a filling mechanism with a standard valve, which cuts the water inlet when it reaches a certain level, and other discharge, operated by the user. I show the toilet of the house of Valeria,